The third episode of Onda Temporal (following the first numbers featuring Capullo and Alberto Acinas) showcases the conception of Sanidad Mental, a new act by two of the most exciting rising music makers around. New-blooded and full of urban urgency, Josué Josué and Siete Catorce first showed they made a terrific team in the single “Linus” (from Josué Josué's debut EP) where they showed introspection of lyrical and musical forms, and even flirted with reggaeton. As framed by this project by Guerrero Negro, Sanidad Mental (performing "Demencia" and "Morras") bolds up the visceral and suburban-decaying discourse. Rejecting to shoot in pretty, or rather digestible places, director Carlos Matsuo elevated and wired-up his guests on the roof of a neighborhood in Tijuana, registering forgotten construction developments, pointy wired fences, and even a dog cage. These are powerful (if circumstantial) images that serve as symbolism for the struggle of the common pedestrian (including the artists) against their thorny surroundings.
Onda Temporal, Episodio Tres: Sanidad Mental
The third episode of Onda Temporal (following the first numbers featuring Capullo and Alberto Acinas) showcases the conception of Sanidad Mental, a new act by two of the most exciting rising music makers around. New-blooded and full of urban urgency, Josué Josué and Siete Catorce first showed they made a terrific team in the single “Linus” (from Josué Josué's debut EP) where they showed introspection of lyrical and musical forms, and even flirted with reggaeton. As framed by this project by Guerrero Negro, Sanidad Mental (performing "Demencia" and "Morras") bolds up the visceral and suburban-decaying discourse. Rejecting to shoot in pretty, or rather digestible places, director Carlos Matsuo elevated and wired-up his guests on the roof of a neighborhood in Tijuana, registering forgotten construction developments, pointy wired fences, and even a dog cage. These are powerful (if circumstantial) images that serve as symbolism for the struggle of the common pedestrian (including the artists) against their thorny surroundings.